Watch the official Abbott Elementary online at ABC. Since Digest‘s issue, the magazine has been promoting itself as the only soap mag in town and has been featuring more than 20 of its standard 72 pages to ABC and CBS soaps on an. There is just something about those fictional towns of Llanview on One Life to Live and Pine Valley in All My Children that so many viewers are probably not just done with yet.Īs for One Life to Live. According to Soap Opera Digest, one of the most popular actors on The Young and the Restless. And Disney+ could just be the outlet to do it. In this world of revivals and reboots, where a barrage shows from yesteryear make attempted comebacks, I would consider another attempt at All My Children and One Life to Live (or a combination of the two). Issues feature on-camera happenings, late-breaking news, soap synopses and exclusive interviews that reveal in-depth profiles of the stars' views on marriage, parenting, beauty, fashions, food and more. Included in every biweekly issue are: In depth previews of the ABC shows hottest plots up-to-the-. SOAP OPERA DIGEST is a special interest publication edited for daytime and prime time soap operas. (put General Hospital in the subject line). Get ABC Soaps In Depth digital magazine subscription today. Since much of the audience for both former ABC soaps were regular viewers for decades (translation: they probably started watching at the coveted millennial age), I also think there could be a new - and younger - demographic, digitally savvy, that might tune in. ABC Soaps In Depth Magazine 270 Sylvan Avenue. And, as Disney plans original content for Disney+, I would hate to see such a valuable audience segment not be recognized. I think the likelihood of the target daytime audience perusing the Internet is far greater today that it was six years ago.
And, if you venture on social media, you will still see comments from the audience missing All My Children and One Life to Live. Netflix, of course, opened the floodgates to a rash of competitors under the new "when you want, where you want to watch" programming philosophy.
If they did not watch digitally the first time, why would it be any different now?īut that was 2013, right before the success of the first hit scripted series on Netflix, House of Cards. Of course, I realize that the target demographic for these daytime dramatic showcases are still older women who may not still understand what exactly digital is.